Writing proposals
What to Include in an Event Production Proposal (Checklist)
If you run AV or production for live events, your proposal does more than quote a price. It proves to the client that you have understood the brief, that you can be trusted with their event, and that they will not get a surprise on the invoice. Here is a complete checklist of what an event production proposal should include, and why each item matters.
The proposal checklist
| Section | What it covers | Why it matters |
|---|---|---|
| Cover | Client name, event name, dates, your logo | First impression. Sets tone before a single line is read. |
| Prepared for | Named contact at the client | Shows the proposal was written for them, not copy-pasted. |
| Executive summary | Event, goal, approach, total in 4-6 sentences | The only section some clients fully read. Make it count. |
| Brief confirmation | Venue, dates, audience size, run of show, constraints | Flushes out misunderstandings before they cost you. |
| Itemised quote | Equipment, crew, transport, with quantities and prices | Scannable pricing. No surprises. |
| Optional extras | Add-on items the client can choose | Lifts average order value without pressure. |
| Team profiles | The people running the job | Sells trust as well as kit. |
| Case studies or testimonials | Comparable jobs you have delivered | Reduces perceived risk. |
| Timeline | Load-in, rehearsal, show, de-rig | Proves you have thought through the day. |
| Technical specification | Detailed kit list, signal flow, power requirements | Reassures technical decision makers. |
| Terms | Payment schedule, cancellation, ownership of recordings | Protects both sides. |
| Acceptance | Click-to-accept with typed name and timestamp | Removes friction from saying yes. |
What to put first
Order matters. The client will scroll, not read. Front-load the sections that make the case (cover, summary, brief confirmation, quote) and put the detail later (technical spec, full terms). If the only thing they read is the first three pages, those pages need to do the selling.
The five things AV proposals get wrong
After looking at a lot of losing proposals from this industry, the same problems come up:
- Generic openers. "We are a leading provider of AV solutions" is not selling anything. Open with the client's event.
- Quote at the back. If the price is hidden, the client opens, scrolls to find it, and reads the proposal in reverse. Put the total in the executive summary.
- No clear team. Faceless proposals lose to proposals with photos and one-line credits.
- Walls of small print. Long terms blocks get skipped. Use a separate section, plain English, and group by topic.
- No way to say yes. If the client has to print and scan, you have added a roadblock right at the finish line.
What to include for different event types
The checklist above is the spine, but the emphasis shifts by event type.
- Corporate conference: stronger run-of-show, recording deliverables, accessible AV details (captions, audio loop), data protection terms.
- Music or festival: rigging and weight loadings, weather contingency, talent rider integration, RF coordination.
- Wedding or private event: discrete crew, dress code on site, cancellation terms, named day rates.
- Broadcast or hybrid: stream specifications, bandwidth, redundancy, encoder details, platform delivery.
How to make the checklist easy to follow
Building this every time from scratch is a slow way to work. The fastest AV companies start from a saved template, drop in the kit list from their rental system, and add a one-paragraph personalised summary on top.
pro-posal.io has every section on this checklist as a drag-and-drop block, pulls kit lists from Current RMS, and lets clients sign off online. Start your free trial: pro-posal.io.
Build proposals like this in minutes
pro-posal.io is proposal software for AV and live event companies. Start free for 60 days, no card required.
Start free trialNew to it? Browse the help centre.